Works on Floor
Friday June 26th, 2015
The artworks in Works on Floor focus on themes of time, death, and the body, and its influence on sculptural and video based works. The term “Lay to rest” evokes a stoppage of that unknown time, a burying of an object, a thing eventually brought to a close. The works in the exhibition consist of handmade white porcelain urns (Letinksy), neutral paper-mache forms (Lofti) and looping black and white appropriated clips of vintage films (Welitoff). The absence of color in the exhibition heightens the sparse installation and lends itself to a fading or fleeting image that occurs over a duration. The title of the exhibition plays on the term “Works on Paper” usually referring to drawings, watercolors, prints, posters, or photographs which are generally seen as less significant works in relation to painting and sculpture. In metaphorically removing the wall and placing works on the gallery floor, can ceramic, paper, and film hold a relationship that normally is seen as very separate? The exhibition consists of six parallel 4’x8’ white wood panels laid directly on the floor of the gallery acting as blank frames for the works to lay and create minimal dioramas. The floor panels are split into two groups of three, half in the east gallery and half in the west gallery and run perpendicular to the diagonal wall that separates the two spaces. Taking works that are normally hung on a wall or propped up on a waist high pedestal and laying them to rest on the floor allows the wall works and pedestal works to lay, lean, and interact in a way that normally would be separated by the gallery space itself.
Laura Letinsky (Canadian, b. 1962) received her BFA from the University of Manitoba, 1986, and her MFA from Yale University School of Art, 1991. Previous shows include the Getty Museum, Los Angeles; The Canadian Museum of Contemporary Photography; Ill Form and Void Full, Museum of Contemporary Art, Chicago; The Photographers Gallery, London; Laura Letinsky: Still Life, Denver Art Museum, CO; Museum of Modern Art, New York; and The Renaissance Society, Chicago. Collections include the Art Institute of Chicago; Hermes Collection, Paris, France; The Microsoft Art Collection, Seattle, WA; The AMon Carter Museum; The John Paul Getty Museum, Los Angeles; The Musee de Beaux-Arts, Montreal, QUE; The Museum of Fine Art, Houston, TX; and The San Francisco Museum of Modern Art. Letinsky is a Professor at the University of Chicago, Department of Visual Arts.
Nazafarin Lotfi (Iranian, b. 1984) received her MFA from the School of the Art Institute of Chicago in 2011 and her BA from the University of Tehran in 2007. Lotfi’s work has been included in exhibitions nationally and internationally, including Italy, South Korea, Hungary, Germany, and Iran. Recent exhibitions include Poiesis at Fenrwey Gallery, Chicago, IL; White Light at Andrew Rafacz Gallery, Chicago, IL; Pattern Recognition at Ana Cristea Gallery, New York City, NY; and Not Safe for Work at DUVE Berlin, Berlin, Germany.
Suara Welitoff (b. 1951, Jersey City, NY) lives and works in Cambridge, MA. Welitoff has shown work nationally at Barbara Krakow Gallery, Boston, Institute of Contemporary Art Boston, Tony Wight Gallery, Chicago, the De Cordova Sculpture Park and Museum, and the Museum of Fine Arts Boston. She has shown in group shows around the world in Milan, Frankfurt, Berlin, Los Angeles, and New York. She is a recipient of the Louis Comfort Tiffany Foundation Award, the Rappaport Prize, the Maud Morgan Prize and is in the Collection of the Boston Museum of Fine Arts, Worcester Art Museum and Deutsche Bank New York.