Binaries are useful. They provide structure, they help us say firmly, “This is this and that is that.” They simplify a world that is chaotic, obscure, and largely unchartable. Paying attention to such clean, definitive lines allows us to put on socks and shoes in the morning, to live our orderly lives.
The cost of wearing shoes, though, is not knowing the feeling of the ground under one’s feet. The heavy cost of certainty is flatness. To be positioned too definitely in pragmatic order is to miss the richly indeterminate space where “this” and “that” become question marks, pulses, flows. This gray area, where multiple gravities compete, is a conceptual staging ground for Kate Hampel and Soo Shin.
In their work, both artists suggest body as the foreground where the dynamics of power, seeing/being seen, and knowing/not-knowing is constantly challenged. These works are at home in a day-to-day world of indeterminacy. They invite the viewer to move around them to look at and consider them, and to slowly walk into the borderless landscape that they engender. The finger is also pressed by the stone is a space of ambiguity where the rough, textured surface of the ground can be truly felt.