DOCUMENT presents Layered and Exposed

Friday, February 21, 2014 - 6:00pm to 10:00pm

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Heaven Gallery and DOCUMENT are pleased to present, Layered and Exposed, a group exhibition with artist’s Elizabeth Atterbury, Scott Cowan, Owen Kydd, Phillip Maisel and Erin Jane Nelson.

Layered and Exposed is a group exhibition exploring collage in contemporary video and photographic practices. The artists in the exhibition vary from studio-based constructions, digitally made collages and visual assemblages made using the camera.

www.wikihow.com/make-a-collage

How to Make a Collage

A collage is a work of art composed of numerous materials, such as paper, newsprint, photographs, ribbons or other objects attached to background support, such as plain paper. A collage can even be made with physical materials or electronic images, attaching them to a digital background. Originating from the French word "coller", meaning "to glue", the collage allows you to experiment with a wide range of materials to achieve amazing end results. This article provides a sample of the many possibilities limited only by your creativity and imagination.

1- Choose a style of collage. By definition, a collage should be made up of several different pieces. Those pieces can be made of all sorts of items, such as paper, yarn, fabric, stamps, magazine cut-outs, plastic, raffia, foil, labels, lids, matchsticks, corks, natural items (bark, leaves, seeds, eggshells, seashells, twigs, etc.), buttons, and so forth. You can either choose one medium such as paper or fabric, or you can make an eclectic mix, such as paper, buttons and foil

2- Choose a suitable backing. While a paper or cardboard backing is the usual choice, the backing can be anything you consider will work well. For example, a backing could be blotting paper, card stock, fabric such as a piece of hessian (burlap), newspaper, old book covers, wood, smooth bark, plastic, etc. If the surface is usable and items can be stuck to it, you can probably use it for making a collage.

3- Hoard the materials for future collages. As you become more proficient at and enthused about making collages, you'll probably start seeing opportunities in all sorts of materials. Be sure to keep a special collage materials box for collecting the pieces in.

Elizabeth Atterbury received her MFA from MassArt in 2011. She has shown her work recently at Bodega (Philadelphia), Tyler School of Art (Philadelphia), The Center for Maine Contemporary Art, and the Chelsea Art Museum (New York, in conjunction with The Collectors Guide, Vol. 2, Humble Arts Foundation). She lives and works in Portland, Maine and is currently a Visiting Lecturer in Art at Bowdoin College.

Scott Cowan lives in LA and is pursuing a masters degree in theology and philosophy. Scott was born in 1986 in Kansas City (he grew up on the Kansas side). His interests include political theology, cultural criticism, philosophy of mind, and investigating the social structures of language. Previously Cowan completed a BA in photography.

Owen Kydd lives and works in Los Angeles. He holds a Bachelor’s degree from Simon Fraser University in Vancouver and a Masters degree from UCLA. His works have been exhibited in soloexhibitions at the Vancouver Art Gallery and Nicelle Beauchene Galleryin New York, and in group exhibitions at the Contemporary Art Galleryin Vancouver, the Surrey Art Gallery, and the Daegu Biennial in SouthKorea.

Phillip Maisel was born and raised in Chicago. He graduated from McGill University in Montreal with a B.S. in Psychology and from California College of the Arts in San Francisco with an MFA in Visual Arts. He is the only two-time recipient of the Yefim Cherkis Scholarship for Photographic Excellence. His work has been shown in galleries both nationally and internationally and is included in multiple collections. Phillip resides in San Francisco, and he teaches photography at California College of the Arts and The Nueva School.

Erin Jane Nelson is an artist and writer based in Oakland, California. She studied at The Cooper Union School of Art, Malmö Art Academy (Sweden), and Oxbow School (Michigan). Recent Projects include Kantan An Libe Tavleau at Forever & Always (Chicago), Love's Labor's 1 at Important Projects (Oakland), Broon published by Gottlund Verlag (Los Angeles), and www.stilllifelive.com.

Heaven Gallery and BOLT Residency present two solo exhibitions

Friday, January 17, 2014 - 6:00pm to 10:00pm

Center of the Circle: Sarah Belknap & Joseph Belknap +
Everything You Need Is Already Here: Stacia Yeapanis
Opening Reception: January 17, from 7-11pm
Exhibition Dates: January 17- February 16, 2014

Belknaps

An exhibition of work by Sarah Belknap and Joseph Belknap explores a shared experience with the cosmos, as described by the artists themselves:

“All of us grow up with the sense that there is some personal relationship between us, ourselves, and the universe.”
—Carl Sagan

The first meteorite we physically encountered was at the Hayden Planetarium. It was the Willamette meteorite- steeped in history, controversy and legend. We hugged it and it felt like magic and our hearts were won over and we started making work that looked at the cosmos. In this new body of video, photography and sculpture we try to recreate that magic- we are looking at the moon, meteorites, comets, the myths and romance they produce, and our love of the wild

Belknaps2
A solo exhibition by Stacia Yeapanis exploring repetition, desire and impermanence.

Everything You Need Is Already Here (2014) explores the spiritual predicament of desire, the presence of impermanence in everyday life and the possibility of responding to it with wonder and play, as opposed to anxiety. This solo exhibition brings together works from Specimens (2013), a series of pinned, shadowbox collages made of advertising images collected from glossy magazines, with an improvisational sculptural installation assembled on the floor of Heaven Gallery.

Stacia Yeapanis highlights the nature of impermanence in an installation that only lasts the length of the exhibition. One Day to Install (Heaven Gallery, Chicago) (2014) is inspired by the sites and relics of the human pursuit of a spiritual life—shrines and altars, mandalas, rock gardens and cairns, stupas, rosary beads, icons. The thousands of individual components, which will be reconfigured in future installations, are byproducts of the artist’s private meditation practice. The repeated gesture of coiling, winding, rolling easily-accessible materials, which results in an accumulation of empty centers, becomes an embodied metaphor for presence. Yeapanis selects both manufactured goods and collected detritus of her life as an artist, a consumer, a cultural participant and a waitress, because these materials represent an acceptance and engagement with what is, rather than a striving towards what should/could be.

Wild Dream: Reimagining the Ballet Russes/ Renovar Spring 2014

Saturday, December 7, 2013 - 7:00pm to 8:00pm

Ballet Russes Poster

Wild Dream: Re-imagining the Ballet Russes
Renovar Spring 2014

"We are witnesses of the greatest moment of summing up in history, in the name of a new and unknown culture, which will be created by us, and which will also sweep us away"
-Serge Diaghilev

The Ballet Russes was the impresario Serge Diaghilev's wildest dream. He created an art enterprise that manufactured excitement and celebrated modernism. His theatrical spectacles combined traditional narrative with emerging art, enabling him to promote his taste and making him reputable to his collaborators. He was neither a composer or artist, yet he managed to assert an unprecedented influence on art in the early 20th century.

Serge Diaghilev started his career as an art exhibitor, curating a show of 4000 works in St. Petersburg. He later was part of a collective that created the art journal Mir Iskusstva (World of Art) and held art lectures and discussions. Later he applied his curatorial eye to the ballet, in association with the migration of artists and nobility that fled Russia from the Bolshevik revolution, Diaghilev exported Russian culture and artists to Paris. In 1909 his Ballet Russes was a instant sensation, beginning his legendary collaborations with artists, composers, choreographers and fashion designers. Among his collaborators were Pablo Picasso, Georges Braque, Henri Matisse, Joan Miro, Leon Bakst, Sonia Delaunay, Jean Cocteau, Coco Chanel, Vaslav Nijinsky and Russian composer Igor Stravinsky. The Ballet Russes unification of all mediums made it much more than the ballet, with Picasso's cubism applied to set design and Chanel's simplicity to costume, it gained international fame. With glory also came controversy. Stravinsky's "The Rite of Spring", inspired by Pagan rituals to spring, met with outrage for it's primitive dance and jolting score that ignited the infamous riot in 1912.

Over a hundred years later the cultural phenomenon of the Ballet Russes continues to intrigue with exhibitions popping up all over the world. Recent exhibitions included, When Art danced with Music at the National Museum in Washington D.C 2013, Elegance in Exile:Between Fashion and Costume, the Diaghilev Era at the Palazzo Moceniza Museum in Venice 2011, Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum in London 2010, and Ballet Russes Art of Costume at The National Gallery in Australia 2010, all showcasing the elaborate costumes and visuals from the rich history of The Ballet Russes.

Wild Dream, Renovar's Spring 2014 collection gives in to the daydream of becoming a modern ballerina, inspired by the explosive and kinetic costumes of The Ballet Russes. While maintaining a contemporary context, Renovar pairs sumptuous blasts of color with whimsical styles to recreate spectacle. The costumes are both thrilling and shocking with bold geometry and dripping pearl
accessories.

$15 sugguested donation

"Night without Sleep" work by Jessica Bardsley, Gwynne Johnson and Ashley Thomas

Friday, October 18, 2013 - 6:00pm to 10:00pm

"Night without Sleep" work by Jessica Bardsley, Gwynne Johnson and Ashley Thomas

Night Without Sleep

work by Jessica Bardsley, Gwynne Johnson, and Ashley Thomas

Oct 18th- 27th

“… a shadow is a simultaneous memory…”

“From the outset, perception belongs to recollection.”

Night Without Sleep presents a world drawn in shadows, revealing the contours of our guiding drives, passionate attachments, and forgotten remains. Gwynne Johnson’s photographs and objects reveal the unconscious of domestic life through the rhythms of celestial and corporal bodies. Ashley Thomas’s noir-palette drawings and collages depict the objects of her fixation larger than life or swimming in darkness, while Jessica Bardsley’s constellation of archival film and photographs activates historical residue to trace the ocean’s haunted past. The artists of Night Without Sleep remake common objects and archival materials according to their memories, perceptions, and desires, illuminating the periphery of the visible, or quietly revealing what goes unseen by day.

Being a Woman in an all Women Show

Friday, September 13, 2013 - 6:00pm to 10:00pm

Women
Image by Laura Mackin

Heaven Presents "Being a Woman in an all Women Show"
18 women art exhibition

work by:
Marissa lee Benedict
Soo Shin
Sarah Weber
Bea Fremderman
Jessica Taylor Caponigro
Laura Mackin
Chelsea Culp
Ann Chen
Betsy O'Brien
Meg Duguid
Samantha Bittman
Robin Kang
Emily Green
Caroline Carlsmith
Kristina Paabus
Chloe Seibert
Selina Trepp
Ilene Godofsky

I have been accused of secretly wanting to be a man. This comment was made recently during a studio visit with a fellow artist, who saw how uncomfortable and wary I became as she steered our discussion towards gender politics.

I do not harbor the desire to undergo a sex change, but I also do not want to be seen solely as a female artist. It is from this position of defensive resistance in which I find myself "being a woman in an all women show."

There are many ways to experience discrimination in the art world; gender inequality is just one of them. To be defined by one's gender as a female artist is to be limited. A colleague recently brought to my attention the fact that the most reputable galleries here in Chicago all represent far more male artists than female. This inequality is made even worse when one realizes that our city's art schools are enrolling more women than men. An admissions counselor at the School of the Art Institute of Chicago informed me that women compose roughly 70% of its student body. A woman can be trained (and pay for that training) as an artist, but it is not the same as her becoming one. "Being a woman in an all women show" is an effort to make up for this blatant discrepancy.

Not all artists consciously implicate their gender while making their work, and yet gender remains a determinant factor in how artworks are curated and disseminated. It seems unfortunate that an all-female exhibition is unusual enough to serve as a curatorial platform.

With this exhibition, Heaven gallery is pleased to exhibit the work of eighteen artists, who all happen to be women. These are good artists, not good-for-being-female artists. With this exhibition, let us hope that the exceptional work of each artist is seen as expected, and not a surprise.
Sarah Weber

Performance - Sedentary Fragmentation

Friday, August 4, 2017 - 6:30pm to 8:00pm

Performance by Yasamin Ghanbari with discussion to follow.

Artist Talk - Sedentary Fragmentation

Saturday, July 22, 2017 - 4:30pm to 6:00pm

Artist talk for Sedentary Fragmentation.

 

RESIST: A Community Talk

Sunday, March 5, 2017 - 1:00pm to 2:30pm

What just happened? We’re still trying to figure it out. We may never quite. But we feel compelled to get our arms around it.

Helplessness, dread, wishful thinking, engagement and retreat: we’ve felt it all. We've tweeted, Facebooked, nstagrammed, and even trolled a little. We’ve marched, called and emailed.

But, barring a miracle, still our fight has just begun.

How to we sustain ourselves? How do we learn to rest and not to quit? How do we relate to the new selves we have to be to resist? More importantly, how do we build -- and build the patience to build?

A new series of events at Heaven Gallery aims to get us out, get us talking and get us moving forward -- together. Regularly! We will use our space tomake time for ourselves to be somewhere decidedly non-virtual and decidedly not post-fact. It's about being and doing while thinking.

Our opening salvo, this March 5th at 1:00 pm, is to be a roundtable of artists, writers and curators who have a passion for thinking about the issues of social justice. We’ll talk about catalyzing (or ineffectual) art, critical positions that soar (or bomb) for us, how we sleep at night after putting more objects into this unhinged world, and how it is essential that we do. There will be questions and dialogue afterwards, and all are invited to participate, because there’s nothing we want more!

The roundtable members is headed by but not limited to:

Elliot J. Reichert

Independent writer, critic and curator. He has written art criticism for Chicago Artist Writers and is a frequent contributor to Newcity. In 2006, he co-founded and edited the Northwestern Art Review, a journal of art criticism and scholarship. From 2013-2015, Elliot Reichert was the Curator of Special Projects at the Block Museum of Art at Northwestern University. Previously, he has served in curatorial roles at I Am Logan Square gallery in Chicago and Artpace in San Antonio, Texas. He received his B.A.with honors in Art History from Northwestern University. In the fall of 2015, he will begin graduate studies in Modern and Contemporary Art History and Arts Administration and Policy at the School of the Art Institute of Chicago.

Tempestt Hazel

Independent curator, writer, arts advocate and co-founder of Sixty Inches From Center. She is currently the Professional Development Manager at the Chicago Artists Coalition where she works to develop programming that is relevant to local artists and will help them build successful careers by connecting them with industry and business experts. Prior to joining the CAC, she worked at the Department of Cultural Affairs and Special Events as the Marketing and Outreach Coordinator for Chicago Artists Resource, coordinator of the Creative Chicago Expo and on the team for Chicago Artists Month, the city-wide celebration of visual arts in Chicago that happens each October. She also serves on the curatorial committee for The SUB-MISSION, a project space of The Mission Projects, and is on the host committee for the Leadership Advisory Committee at the Art Institute of Chicago. Recent independent projects include The Future’s Past, a curatorial research project and series of public installations which is the product of a fellowship with the Black Metropolis Research Consortium, Locality, the Chicago Artists Coalition’s Hatch Residency exhibition, and The Tipping Point of Me and We, the Contemporary Arts Council‘s 2012 exhibition. Upcoming projects include exhibitions at Terrain Exhibitions, The Salon Series Projects and South Side Community Art Center.

Robert Burnier

Is an artist who lives and works in Chicago. He received his M.F.A. from the School of the Art Institute in Painting and Drawing in 2016. He also holds a B.S. in Computer Science from Shippensburg University of Pennsylvania (1991). Exhibitions include Ghost Nature, curated by Caroline Picard, at Gallery 400, Chicago, IL and La Box, Bourges, France, The Chicago Effect: Redefining the Middle at the Hyde Park Art Center, Chicago, IL, Inland Delta at Andrew Rafacz Gallery, Imaginary Landscapes, curated by Allison Glenn, at Chicago Urban Art Society and Jenny From the Color Block at the Art Academy of Cincinnati, curated by Eric Ruschman. His work has been exhibited at art fairs in Miami, New York, Chicago and Copenhagen, Denmark.

Simple Pleasures

Friday, February 3, 2017 - 7:00pm to 11:00pm

Simple Pleasures
Liz McCarthy, Caleb Yono, Selina Trepp, Raul de Lara, Ryan Pfeiffer & Rebecca Walz
Curated by Iris Bernblum

This show is a love letter. From one artist to another. To those who give me hope in the wake of a new post-election reality. Absorbing the pain I was feeling myself and from those around me, I realized it’s more important than ever to speak to the issues presented here. I came to this show with the body and pleasure in mind.

To put it simply: These artists work with the body, sexuality and gender in ways that push, seduce, and play with us. They bring forward the complexities of our bodies and minds with what it means to be seen, touched, hurt, and loved. What it means to be human.

For me they are magicians in the studio, taking us to places that feel true and full of life. They all invite us to engage on an intimate level; one cannot look and look away. The afterimage stays. It sinks in.

“And now, after living beside you all these years, and watching your wheel of a mind bring forth an art of pure wildness - as I labor grimly on these sentences, wondering all the while if prose is but the gravestone marking the forsaking of wildness (fidelity to sense-making, to assertion, to argu- ment, however loose) - I’m no longer sure which of us is more at home in the world, which of us more free.”

-Maggie Nelson, The Argonauts

Heaven Gallery 
1550 N. Milwaukee Ave, 2nd Floor
Chicago, IL

Improvised Jazz Concert

Friday, September 9, 2016 - 8:30pm to 10:30pm

Jeff Albert / Helen Gillet / Aurora Nealand / James Singleton / Paul Thibodeaux"

The New Orleans contingent of the Instigation Orchestra brings together five of the finest improvisers working today - trombonist Jeff Albert and Aurora Nealand on saxophones, accordion and voice and a rhythm section of Helen Gillet on cello and voice, James Singleton on bass and drummer Paul Thibodeaux - for two sets of improvised performance. Though they have all worked together in various configuration over the years, their Heaven performance will mark the first ever performance of this quintet for what promises to be a thrilling evening of music.

$10 suggested donation

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